. As detailed in other sections of The
Encyclopedia Galactica (see Use Me Again: Thing-Love Dynamics and Things,
In General) there is great energy
at work in the use of and attention to material things. Objects
we encounter and employ absorb and can retain defining residual
amounts of the motivating energies directed to, through or around
them, i.e. love, hostility, enthusiasm, reverence, etc.
. An Independent Cognitive Form
is an otherwise inanimate object given life by these powerful
yet largely unconscious psychological applications. Absorption
of vital life essence via extraordinary mental conduits can alter
ordinary objects and other lifeless forms, spontaneously "igniting"
them to become sentient material beings of a few demonstrable
subtypes.
. Those newly formed entities begin to
explore and expand into worlds of their own, effecting the objects
around them in some cases, resulting in an outward rippling of
ever-more complex Independent Cognitive Forms forged by the invasive
hex of the imagination and its often delicious forward inertia,
called Play (see The
Power of Play ,
Playing Nice Together and Play
to Live).
. The transference of inspirational energy
and the creation of Independent Cognitive Forms can be illustrated
with the useful metaphor of the spinning plate. In this example
we will refer to a User Host, or "Spinner", and the
Subject Form, or "Plate."
. The Spinner must focus his or her will
and energy, combined with skill nourished by natural talent and/or
careful practice, to effectively begin the rotational being
of the Plate (Subject Form) upon the pole, which in this
example represents the totality of life as we know it. Similarly,
the Independent Cognitive Form is imbued with being from
the focused energy and/or will power of the User Host, and, like
the spinning Plate, can exist to some degree outside of the User
Host/Spinner's field of attention once set into motion, or Play
(see The Playfulness
of All Things and Play Rules! A Manifesto).
. Animation The simplest
transference of life energy to a beloved implement, item or garment
is a state called Animation. This is usually the product of a
deep connection or admiration from the Host User (Spinner) to
or through the Subject Form (Plate). This is the process by which
favorite fire engines race across kitchen floors for astonished
toddlers who love them, and why some basketballs bounce impatiently
between games in particular gym lockers (also see More Than Love: True Confessions
of a Skin Horse).
. Objects that have achieved Animation
can often be identified by the use of key phrases such as, "my
favorite stapler" or, "my lucky hat" and other
preferential declarations for a particular object over like others
which, upon analysis, amount to altogether mysterious subjective
discriminations.
. It is common for Subject Forms to be
unwittingly animated by their User Hosts, and actual animated
activity may be mistaken for or disregarded as daydreams, muddled
assumptions, self-fulfilling hearsay, or private fancy.
. Once endowed, these lively objects perform
within the context of their design and seek nothing more than
interaction and excellence as defined by their particular established
function or nature. These simple Independent Cognitive Forms
are often perceived only by the User Host (if at all) and are
usually dissolved shortly after that life-giving attention is
drawn away or refocussed.
. Articulation A more complex
and self-sustaining network of inspirational transference is
Articulation, the status given to animated items which have been
created for specific new purposes or assembled from dissimilar
parts with new and wholly original intent. Since these emerging
forms have little or no preexisting context to define them they
are able to determine much of their own direction and functionality;
a casual hand in their own objectified fate.
. Like the spinning plate, Animated objects
can only briefly remain in motion when the User Host (Plate Spinner)
is focused elsewhere. However, in a state of Articulation, the
metaphoric Plate is aware of its rotational existence and the
complex physical laws which maintain its delicately balanced
kinetic being. This understanding and self-awareness becomes
the central driving force, replacing the catalytic attention
of the User Host. From that point on, it is free will that maintains
the forward progression of the Articulated Independent Cognitive
Formation's unique life energy.
. Using our convenient metaphor to describe
this condition, we can say that, "the Plate is able to twirl
its own pole". In this way, an Articulated Subject
Form can sustain its own being well beyond the igniting attention
of the User Host and begin to enjoy its own consciousness and
environment on its own terms and schedule, an elevated
state of being often called at Play (see Joy Pinnacles
, Fun and Games
in the New World and Play for Victory).
. In addition, some Articulated objects
demonstrate a level of awareness of their own nature and an understanding
of their place in the Greater Scope of Things (GST) that seems
to transcend Articulation (see Exponential Meanings and Wee Things - Knowing Icons). These Hyper-Articulated Objects (HAO) can have
a deep understanding of what is, and can move forward
in a unique personal universe with intentions of their own, motivated
by what appear to be compelling internal forces best defined
as Play Instinct, or having Fun (see Play is Fun and Fun Me Up!).
. It should be noted that the creation
of any Independent Cognitive Forms as outlined above is by no
means a guaranteed result of specific action. There is no easy
recipe to breathe life into things. Repeated intentional attempts
to bring about these forms will almost always (statistically)
end in disappointment, much like Playing the lottery (see
Problems: What To
Do and When the Fun Stops)
. Play
is thus elusive, and must be hotly pursued.
.
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